The mare was coming from the north on the low road. She was every bit as well groomed and proud as any stallion that roamed these isles. She was a soft brown color with a coat that had been brushed until it shined in the sunlight. Her long black mane flowed in the soft breeze with each toss of her head while she scanned the river on one side and the encroaching forest on the other, just as intently as her mistress scrutinized the same terrain. She wore a leather skirt that covered her shoulders and displayed a crest of tiger, sword and eagle signifying her strength and alertness and readiness to do battle.The rider was covered from head to mid-thigh with an unusual armor, solid instead of mail, and shiny silver brightness seldom seen other than the occasional newly cast silver coins that were put into service from The King's Mint. Those coins quickly became tarnished and dull but this armor was still shiny as the day it was formed, telling of hours its owner spent in polishing it. Not. Scarpia dreams of abusing her.We hear Tosca singing in the background.As soon as the first notes of the act diffuse in the theater, the door opens and the young woman enters. She comes straight to me and takes the very same position close to me that she had before the entr’acte. Tosca enters Scarpia’s office.Cavaradossi’s interrogation starts.I do not move at all.The music follows the torture session.The young woman glues her body on mine. She does it on purpose, not after some sort of surprise as we both reacted at the end of the first act. She rubs her clothes and her body on me. I position my right hand where it was lying before, very low on her hips. My fingers now slowly caress her hip in a gentle and light movement. She does not move. I approach my left hand as well. It rests on the other side of her waist. I slowly start caressing her back.She moves slowly to push me back towards the corner of the balustrade. It is much more like some teasing because she also slowly rubs her.
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